Really appreciate both those Frankie albums these days too, this is a classic intro innit, especially in terms of the below-mentioned gearing up the dance floor for the big tune back before there was such a thing as rave.
In fact intros were, in a pre-House/rave era (or at least in terms of the uneven geographical development of said genres) a necessary breathing space/ preparation pause/ energy generator/ opportunity to get off the dance floor and have a pint asap. In a sense they fulfilled a myriad structural/social uses.
In fact the dynamics of djing in the now sadly defunct Scorpio 1 in Barrow-in-Furness, the town's main nightclub in say, 1996, when I was a drunk and basically terrified 16 year old goth, (in a Cramps t-shirt), for that rowdy, sexually segregated amalgam of rockers, metalers, mods, new romantics, punks, casuals and soul boys and girls was probably miles more artful and aware than beat matching seven hours of identikit techno for some monged out self-selecting gang of gurners ten years later.
Ah, the lost art of dj-ing.Back then, back there, you would get your fifteen, twenty minutes worth of tribal songs (if memory serves for us it was often The Cure and Echo and the Bunnymen that announced our "alternative" slot was coming up, and people used to take records in to have played too, New Model Army's No Rest and The Bolshoi's A Way along with The Sister's Alice being big faves, if I recall correctly). You would be left unmolested to do your thing. U2, The Alarm, The Waterboys, Then Jericho were universals, The Smiths less so, anything disco-y or SAW-y was girl's stuff. Then we had a few hip hop or northen soul specialists in smart suits who really danced.